with no alarm she dances through the bony air, eyes like a hungry child slobbering at the first scent of knowledge. glistening off of those eyes – the very sight of it – the taste that all greedy minds crave. she flutters towards it, light peaks through her delicate wings like how it flickers under the water's surface, an angel ascending into heaven
easily and swiftly crushed by the capital hand that shadowed behind such heavenly light – with all intention of crushing the wings of innocence – and with a clear conscience, as a moth is to a hand as what a person is to the universe.
isn't it painless for a hand to swat forth and drop a bomb from a plane thundering over a burning city because it can't see the suffering it causes?
wouldn't it be immaterial, then, for a puissant hand to drop one from heaven?
moths that are dazed by the beauty of light are not seldom blind to the torment that it's agent to.
especially, i owe a big thank you to everyone for all the positive support you've given me. i think people sometimes shy away from saying "i love it!" or whatever on a piece of artwork because they think it seems unintelligent. but i don't think they truly know, or truly realise, how some simple words like that can really lift a person.
reading is the greatest gift to writing. thank you.
I'll start of my answering your questions. I personally would have preferred the word 'Slobbering' in the first stanza. I don't think it would have taken away from the aesthetically pleasing side of it, in fact despite the negative connotations of slobbering I think it would have enhanced it. Yearning is quite a worn-out-word in poetry, and I think slobbering would serve to better demonstrate your point.
The structure for me was appropriate. What I got from the poem upon my reading it was the moth's attempt at gleaning knowledge had been thwarted, so the interruption of and changing of the tempo helped to illustrate that. The shorter, faster paced stanza's helped to create the sense of suffocation.
I took the poem quite literally when I read it. I think the angle you were going for is a sort of "The man putting down the small people" kind of vibe. The "Capital Hand" that thwarted the moth's wings of innocence may be some oppressive higher power, or the central characters own limitations.
Over all though I'm very impressed. What I enjoyed most was that you have metaphor and description placed parallel to each other throughout. The one I enjoyed most was the "bony air" followed by "eyes like a hungry child". It set the tone very well and you maintained the standard.
The imagery had quality. It for me came across as so simple, but effective. For example, the shadow of the moth under some light (maybe even just a table lamp) and then suddenly the dark shadow of a hand. It was very enjoyable and encouraged me to read on.
I have only one criticism, and that's about the theme, because I can't fault your writing. In my opinion I think it's a bit of a tired theme at times. It's quite linear, as in: Hope - optimism - denial - pessimism. I think you've demonstrated an ability to create flourishing imagery, and so with a slightly different theme this poem could have been one abundant with joy, beauty and optimism, without the sour taste at the end. (However that is hypocritical as it's what I've done in this critique. haha)
I don't think there's anything else I could say that hasn't been said in the comments and critiques, but I really enjoyed the vocabulary in this! Your formatting is very simple, nothing really visual on it, but it has a lovely flow just the way it is. Wonderful job, and congratulations, again, on the DD! x
Bahaha, it's completely alright! This is actually sort of a side account that's kind of morphing into a main one x: The object of many of my poems has my other dA link, and I don't really want them connecting the dots, if they read the poems.
So, I made a more personal one, which happens to be this.
Well I kind of vaguely said it before, but I think I said it with so much rambling it didn't even make sense LOL once again, sorry.
Most of my pieces on here have to do with a certain person. They have a link to my old dA, and I didn't want them to make the connection. And, well, I didn't want to see that they managed to get under my skin.
It's nothing too serious. Bit of a broken heart, it happens, ahaha.
awh i'm sorry... things get better, that's all i can say. you'll meet a sweet prince and then forget about all the frogs. poetry is a really good form of catharsis when dealing with a breakup, anyway - or anything upsetting, for that matter. some of the greatest poems have been birthed out of pain.
The structure for me was appropriate. What I got from the poem upon my reading it was the moth's attempt at gleaning knowledge had been thwarted, so the interruption of and changing of the tempo helped to illustrate that. The shorter, faster paced stanza's helped to create the sense of suffocation.
I took the poem quite literally when I read it. I think the angle you were going for is a sort of "The man putting down the small people" kind of vibe. The "Capital Hand" that thwarted the moth's wings of innocence may be some oppressive higher power, or the central characters own limitations.
Over all though I'm very impressed. What I enjoyed most was that you have metaphor and description placed parallel to each other throughout. The one I enjoyed most was the "bony air" followed by "eyes like a hungry child". It set the tone very well and you maintained the standard.
The imagery had quality. It for me came across as so simple, but effective. For example, the shadow of the moth under some light (maybe even just a table lamp) and then suddenly the dark shadow of a hand. It was very enjoyable and encouraged me to read on.
I have only one criticism, and that's about the theme, because I can't fault your writing. In my opinion I think it's a bit of a tired theme at times. It's quite linear, as in: Hope - optimism - denial - pessimism. I think you've demonstrated an ability to create flourishing imagery, and so with a slightly different theme this poem could have been one abundant with joy, beauty and optimism, without the sour taste at the end. (However that is hypocritical as it's what I've done in this critique. haha)
Overall, excellent job.
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